Compare the Giselle Pas de Deux to both the Swan Lake and Sleeping Beauty Pas de Deux.

Please answer each question in a short paragraph.

  1. What is your own personal experience as an audience member? What show or concert did you attend? Do you feel that the audience is an active or passive Did anything unique happen?
  2. Are you born or bred to be a ballet artist- do you think it is culturally exclusionary? What is the cultural relevance of ballet and whether or not it is exclusionary. If so, how can that be changed? Why is it important that all people be exposed to the arts?

Compare the Giselle Pas de Deux to both the Swan Lake and Sleeping Beauty Pas de Deux. How is the dance style different in Romantic period choreography (this is style from the era and has shifted a bit), to the Classical period choreography style.

  1. Watch the rehearsals for Giselle Corps de Ballet and Swan Lake Corps de Ballet rehearsal. What is it like do you think, to be a part of the company as a Corps member. Do you see a big difference between the Prima Ballerina and Ballet Dancer stars that dance the Lead Roles and Pas de Deux and the company members that make up the Corps?
  2. In the Royal Ballet’s Ballet Evolved Series, how do you think ballet evolved in its early stages, what physical differences did you notice as the art form progressed? How does Taglioni’s style of dance differ from Markova? How did pointe work evolve? How did ballet class evolve?
  3. How did Diaghilev shape the Ballet Russe into the most influential and important dance company of the 20th century? How did he value collaborations with artists?
  4. How did Balanchine shape ballet for the 20th century, how did evolve from the Classical period to contemporary ballet at the hand of Balanchine? Give some examples of his ballets that are a stark departure from the Classical style of ballet and why?
  5. How important was King Louis XIV to the art form of ballet?

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